Abstract

Abstract Though virtually unknown in America, Bruno Dumont is among France's most provocative young directors. Using his award-winning first feature as a case study, this essay analyzes Dumont's deconstruction of commercial cinema, denial of the complacent pleasure it offers spectators, and transformation of the viewing experience into an ethical challenge.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call