Abstract

The history of the library founded in 1897 at the Kunsthistorisches Institut in Florence is marked by a very close connection with the history and profile of the Institute itself. The demand for scientific literature for research on Florentine Renaissance art and culture was the key motivation for establishing a German research library in Florence, where this art and culture flourished. But from the very beginning the holdings covered Italian art as a whole, not just the Renaissance and Florentine art. The acquisition policy as well as the internal organisation and systematic structure of the library have right up to the present day mirrored the research activities of the Institute and its scholars. With the founding of a consortium of the three German research libraries in Florence, Munich (Zentralinstitut für Kunstgeschichte) and Rome (Bibliotheca Hertziana) in 1994, a new era began. High-profile bibliographic information, additional services and the integration of the library in Florence into this co-operative network became a further characteristic of the existing identity of the Institute and its library, which were – and continue to be – closely tied to Florence and Tuscany.

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