The Lessons of Art Theory for Pastoral Theology

Abstract

This essay applies art theory to pastoral theology, using Rudolf Arnheim's views on the compositional structure of paintings to propose models for expressing the relationship of theology and psychology. From a structural feature of paintings, namely, their possession of a depth dimension and a frontal plane, two primary models are derived, convergence and juxtaposition. The viability of a third, structural uniformity, is also recognized. The larger purpose of the essay is to contend for a recovery of pastoral theology's mid-century emphasis on perception.