Abstract

The purpose of this study was twofold: first, to be among the first attempts to validate linguistic analysis as a method of creativity assessment and second, to differentiate between individuals in varying scientific and artistic creativity levels using personality language patterns. Creativity is most commonly assessed through methods such as questionnaires and specific tasks, the validity of which can be weakened by scorer or experimenter error, subjective and response biases, and self-knowledge constraints. Linguistic analysis may provide researchers with an automatic, objective method of assessing creativity, and free from human error and bias. The current study used 419 creativity text samples from a wide range of creative individuals mostly in science (and some in the arts and humanities) to investigate whether linguistic analysis can, in fact, distinguish between creativity levels and creativity domains using creativity dictionaries and personality dimension language patterns, from the linguistic inquiry and word count (LIWC) text analysis program. Creative individuals tended to use more words on the creativity keyword dictionaries as well as more introversion and openness to experience language pattern words than less creative individuals. Regarding creativity domains, eminent scientists used fewer introversion, and openness to experience language pattern words than eminent artists. Text analysis through LIWC was able to partially distinguish between the three creativity levels, in some cases, and the two creativity domains (science and art). These findings lend support to the use of linguistic analysis as a partially valid assessment of scientific and artistic creative achievement.

Highlights

  • If linguistic analysis proves to be a valid form of creativity assessment, linguistics and personality psychology will be able to make great strides in further creativity research

  • If the results suggest that linguistic analysis is a valid form of assessment, it will be a relatively novel and efficient method of assessing creativity as it will eliminate the need for human involvement in the scoring process

  • The creativity word dictionaries were partially validated by the current results

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Summary

Introduction

The purpose of this study was twofold: first, to be among the first attempts to validate linguistic analysis as a method of creativity assessment and second, to differentiate between individuals in varying scientific and artistic creativity levels using personality language patterns. Text analysis through LIWC was able to partially distinguish between the three creativity levels, in some cases, and the two creativity domains (science and art) These findings lend support to the use of linguistic analysis as a partially valid assessment of scientific and artistic creative achievement. A major goal of the current study was to analyze the creative personality in science and art using linguistic analysis to determine if this approach provides a valid and relatively novel assessment of scientific and artistic creative achievement

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