Abstract

This article discusses how Olga Tokarczuk, the Polish writer awarded the Nobel Prize in Literature for 2018, has become a target of right-wing populist discourse, locating her at the centre of the landscape of hate. The features of the affective landscape of hate are discussed from the phenomenological and constructivist perspective. The author argues that the landscape of hate constitutes an important part of right-wing populism based on the narrative of national emergency and the language of war and exclusion (othering).

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