Abstract
Belarusian national identity is a taboo subject in Belarus nowadays, unless identity is understood in a Soviet/Lukashenko way. So for Belarusians, who have gone through national destruction more than once, this issue is not just a usual research topic but a crucial question that can contribute to national survival. In the 1920s-30s a part of Belarusian lands belonged to Poland and Polish filmmakers shot some documentaries there, which turned out to be the sole materials since whatever was taken in Soviet Belarus at this time, got burned later. This research aims to determine what these visual materials communicate, how they can add to the Belarusian identity and why it is important for modern Belarus and its cinema.
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