The Labor of the Living Dead

Abstract

ABSTRACT This article develops the concept of the labor of the living dead through readings of recent Senegalese films, novels, comics, and music videos in Wolof and French. The undead have been resurgent in cultural production for decades but these are not your average zombies: they do not inspire collective dread nor are they directed by opaque, outside forces. In Senegal, the focus has more often been on the work of the undead. This enigmatic concept speaks to the pervasive and potentially fatal mismatch between discourses of entrepreneurial self-realization and the crushing limitations and dangers imposed on many by their present circumstances. In representations of undead labor, projects of normative self-improvement devour and outlive the selves they are meant to improve, generating affects of shame and powerlessness and sparking violence toward more marginalized lives. Alongside these dynamics, though, the figure of undead work also seems to contain a grain of counter-hegemonic imagination, even affording visions of alternatives to existing configurations of labor and humanity. Central to this phenomenon is a tendency to exploit the polysemy of the Wolof term liggéey, which means work in a conventional sense but which also refers in certain contexts to witchcraft or gendered labor.