Abstract
This chapter describes the pantomime entitled Le Rêve d'Egypte (Egyptian dream), which starred Colette Willy and the mysteriously named “Yssim,” and which outraged audiences because it featured a kiss between two women. Colette's appearance in Le Rêve d'Egypte in 1907 was the first time Salome had appeared overtly as both a femme fatale and a lesbian. Unlike Maud Allan, Mata Hari, and Ida Rubinstein, Colette appropriated Salome not as her identity but as her personal accomplice, her transforming device, in searching out her own true identity as a woman with a powerful male sensibility.
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