Abstract
ABSTRACTThe Khmer Rouge’s crimes of forced marriage and sexual violence have been commemorated in a dance production, entitled Pka Sla Krom Angkar. It is one of several artworks that were recognised in 2018 as “reparations” by the United Nations-backed Khmer Rouge Tribunal, known officially as the Extraordinary Chambers in the Courts of Cambodia (ECCC). In this article, researchers from Australia and Cambodia reflect on the production’s significance from multiple perspectives. It is a catalyst for discussing human rights; a tool for promoting psychological healing; and a part of the ECCC’s legal process.
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