Abstract
Abstract The so-called Åker assemblage, a collection of stray finds of weapon parts and warrior-related objects dating from c. AD 600, has held a prominent position in Norwegian archaeology since the discovery of the first objects on the estate of Åker in Hedmark in south-eastern Norway in the 19th century. The assemblage comprises high-status objects belonging to a warrior elite whose equipment display close similarities across the European Continent and in Anglo-Saxon England. In early research, many of the objects in the assemblage, e. g., the renowned ‘Åker buckle’ with cloisonné and zoomorphic decoration, were ascribed a Continental provenance. More recent discussions, however, advocate a Scandinavian origin for all the objects in the assemblage. Yet, the question of where the items originally were manufactured was once more actualized when further objects belonging to the assemblage were unearthed by metal detectorists in the 1990s. Among the new finds were some Frankish types of belt mounts that are unique in a Scandinavian perspective and other items with similarities to related equipment found in other regions. The new items may thus potentially shed new light on the question concerning place of origin of the assemblage. The question of provenance, however, is tied up with the phenomenon of local workshop-traditions in Scandinavia and the North Sea region. New insights have been gained on this topic during recent years as several new production sites have been explored. Through a visual assessment of the new items in the assemblage and a discussion of related parallels, it is argued here for a yet unknown western Scandinavian workshop as the most likely source for several of the objects making up the Åker assemblage.
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