Abstract

In 1898 a Swedish-American farmer, Olaf Ohman, cut down an aspen tree on his farm. He found enveloped in its roots a large flat stone which he only just managed to get out without ruining his axe. When his ten year old son had brushed some of the dirt from the stone, Ohman discovered that one of the faces and one of the edges were covered with strange engraved figures. It was soon decided that these had something to do with runes. This is where the saga of the Kensington stone begins: from Ohman's farm to a shop window in Kensington, to Prof. O. J. Breda in Minneapolis, to Prof. George O. Curme, back to Ohman's farm condemned as a blatant forgery. Here it lay despised as ‘a stepping stone near his granary for eight years, without further notice’. It was ‘rediscovered’ by Hjalmar Holand, bought by him, and he devoted his life (three large books and innumerable articles) to attempting to prove that the inscription was genuine. Finally in its Jubilee year 1948 it was given the place of honour in the National Museum at the Smithsonian Institute in Washington as one of the finest pre-Columbian monuments of America.

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