Abstract

This study aimed at validating the psychometric properties of the French version of the 40-item revised Kenny Music Performance Anxiety Inventory (K-MPAI-R). The certified French version was used and answered by 211 student musicians (aged 16–65 years, SD = 9.58) from different music schools and music colleges in the French-speaking part of Switzerland. The K-MPAI-R is based on Barlow’s model of anxiety and was designed to measure performance anxiety in musicians. Through descriptive statistics and confirmatory factor analysis, the correlation matrix and the Kaiser–Meyer–Olkin (KMO) measure of sampling adequacy and Bartlett’s test of sphericity were performed. The confirmatory factor analysis showed evidence of validity (Cronbach’s α, Factor G = .91) with internal reliabilities going from α = .78 to .86. Nine items present low factor loading (<.30). Given the adequate psychometric properties of the French K-MPAI-R, this instrument is valid and reliable for the measurement of performance anxiety among French-speaking musicians. When accompanying musicians in mental preparation (e.g., psychologists, mental trainer), the total score should be taken as a general information, but factors and their associated lowest items could be interesting to work on pertinent aspects with the musician.

Highlights

  • This study aimed at validating the psychometric properties of the French version of the 40-item revised Kenny Music Performance Anxiety Inventory (K-MPAI-R)

  • Kenny (2010) defined MPA as “the experience of marked and persistent anxious apprehension related to musical performance that has arisen through specific anxiety conditioning experiences, and which is manifested through combinations of affective, cognitive, somatic and behavioral symptoms” (p. 433)

  • The structure of the relations among the items was analyzed to document the adequacy of factor analysis: the Kaiser–Meyer– Olkin (KMO) measure of sampling adequacy reached 0.85 and Bartlett’s test of sphericity signaled that the scale was psychometrically adequate for factor analysis, χ2(780) = 3,160.3, p

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Summary

Introduction

This study aimed at validating the psychometric properties of the French version of the 40-item revised Kenny Music Performance Anxiety Inventory (K-MPAI-R). With the aim to assess the underlying symptoms of MPA, based on the emotion theory of anxiety proposed by Barlow (2000), Kenny et al (2004) developed the Kenny Music Performance Anxiety Inventory (K-MPAI) in English. This is a 26-item questionnaire designed to evaluate symptoms that could indicate performance anxiety, tension, memory alterations, and negative cognitions associated with MPA. Many researchers have shown interest in this instrument and have developed and tested versions in different languages

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