The Karoo and eco-inflections of fracking: preliminary notes on literary imagination

Abstract

The awareness of the “planet in peril” has never been more acute in a South African context than today, when the imminent extraction of shale gas through the process of hydraulic fracturing (known as “fracking”) in the Karoo has gained traction in the public mind. At least two broad dimensions are involved. The first, based on the logic of petro-modernity and its profligate culture, is framed within a seductive, neoliberal narrative of industrial progress and economic development. The second is framed as outright resistance to the inevitable environmental damage caused by this petro-industrial venture. This study reflects on how literature might intervene in this bipolar debate. Alfred Jackson’s Manna in the Desert, Pauline Smith’s The Little Karoo, and Etienne van Heerden’s “Poison Karoo” employ the trope of water to stimulate an ethical vision. Materially, water is imagined in its apparent scarcity as a feature of the delicate ecosystem of the Karoo, a vast arid landscape of drudgery, where life forms compete for the limited resource. Allegorically, water signifies as safely concealed, subterranean abundance. The Karoo, possessing more than its external features account for, is a place of beauty and mystical presence where life is sustained and preserved. It is within these significations that the environmental and social repercussion of fracking is inflected. Literature can bridge the divide between the narrative of progress and the counternarrative of ecological consciousness by way of highlighting their contradictions. But it also complicates these contradictions by valorizing their ethical potentiality.