The Karaghiozis Performance in Nineteenth-Century Greece

Abstract

Out of the vacuum of the sparsely developed dramatic environment of nineteenth-century Greece grew a performance totally unrelated to the largely literary and western-European oriented theatre of Athens under the influence of the king and his court. It was a performance which, unlike the literary theatre, aroused the interest of the common man through its use of folk tales, anecdotes, songs, dialects, costumes and characters as the basis of its presentation. Originating in the Turkish folk form Karagöz, the Greek performance, called Karaghiozis, found its roots in an entertainment with which Greeks both on the mainland and in other parts of the Balkans and Middle East were already familiar.