Abstract

Abstract liquid blackness founder Alessandra Raengo talks with filmmaker and installation artist John Akomfrah about the emergence of the trope of liquidity in his work, in the context of the reversibility between aesthetics, practice, and praxis exhibited since his output with the Black Audio Film Collective, and about the intellectual errantry of his practice ever since. Together they explore liquidity as a feature of double consciousness, a way to comprehend the dispersion of the polyrhythmic, and a key to approach the aesthetic philosophy of collective praxis.

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