Abstract

This visual essay narrates three parallel bodies of photographic work, which negotiate the role of context, displacement and geocultural relocation as metaphors for self-definition. The conceptual framework of the work is underpinned by the psychoanalytic theories of Murray Bowen and Morgan Scott, which locate self-perception at the centre of the familial context and define the quest for self-definition as a symbolic process of map-making. This approach describes a psychological landscape where the fluid relationship between collective and personal identity is conveyed through the metaphor of ‘Mal de Débarquement’ (a diagnosable condition that means nausea of disembarkation). This kind of embedded fluidity in self-representation insinuates a new approach to the practice and possibilities of photographic portraiture, and challenges the traditional definition, which associates the portrait with the depiction of a fixed identity.

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