The Joker in Iraq’s Tishreen [October] Protests

Abstract

Abstract This article explores how the cultural symbol of the Joker, from the 2019 American movie Joker, first unfolded during the 2019 Iraqi Tishreen [October] Revolution as radical-gradual creative imagery both shocking and contested among Iraqi activists. Considering the visuals as modes, I argue that they first emerged as antenarrative, open to multiple interpretations. The antenarrative quickly transformed into a derogatory label perpetuating a dehumanizing anti-protest narrative by dominant powers and their militias. ‘Axis of Resistance’ media channels in Iraq and Iran have transformed the Joker label into a weapon, framing the protest movement as a narrative of grand conspiracy with the West and consequently justifying the violent crackdown by security forces. Iraqi activists then reclaimed the label in an attempt to defy that narrative. The linguistic reclamation could not erase the parties’ narrative. Instead, the two narratives have continued to compete, triggering another set of polarized labels.