Abstract
All the celebrations and commemorations attendant of the one-hundredth anniversary of the founding of the Industrial Workers of the World (IWW or Wobblies) leave this historian puzzled. Not only have multiple scholarly and popular conferences been scheduled to pay homage to the memory of the Wobblies and the tradition of labor radicalism that they exemplified, including the major annual meeting of labor historians at Wayne State University in Detroit (the North American Labor History Conference) but also a lavish collection of original IWW art, cartoons, poetry, and songs plus graphics by contemporary illustrators, cartoonists, poets, and lyricists, a sort of Art Spiegelman-like history of the Wobblies have been compiled and edited by Paul Buhle and Nicole Schulman.1
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