The Issue of Low Carbon Emission in Religious Shows on Indonesian Television

Amirudin Amirudin,Hadiyanto Hadiyanto,Maryono Maryono,Budi Warsito

doi:10.1051/e3sconf/20187314001

Abstract

This Article is written based on the research “Religious Show as Cultural Production Field: Study of Mamah dan Aa Beraksi TV program on Urban Indonesian TV Channel Indosiar”. This research based on assumption that religious show as cultural products are generated in an autonomous domain involving actors - production teams, creative teams, preachers, emcees and audiences. Using ethnographic methods, through close observation, this research finds that the religious show indicate the logic interpretation of religious criteria represented by the preachers, and the market criteria which the production team is responsible for. Both of these criteria are mixed in producing religious show. On that context, the theme of low carbon emission has succeeded in entering as a theme that meets market and religious criteria. From the market side, this theme has relevance with the protection of a greater public interest. Meanwhile, in terms of religious criteria, bringing the issue of low carbon emission into religious shows is the same as carrying out a religious mission to reduce the negative impact of bubble carbon.

Highlights

This research begins from the question of religious show production process Mamah dan Aa Beraksi on Indosiar Television Station – one of the popular urban TV channel in Indonesia – in relation to the culture’s formation [1,2,3,4]
The research is a holistic study which focus on the dynamics relations between actors in religious show production process in the studio as cultural production field
This research was conducted in Indosiar TV studio, when producing religious show Mamah Dedeh and Aa Beraksi which aired every day at 06:00 07:30 WIB

Summary

Introduction

This research begins from the question of religious show production process Mamah dan Aa Beraksi on Indosiar Television Station – one of the popular urban TV channel in Indonesia – in relation to the culture’s formation [1,2,3,4]. The research is a holistic study which focus on the dynamics relations between actors in religious show production process in the studio as cultural production field. This holistic study is intended to reveal the image of each actor associated with the production process of the show in cultural production field. Many studies on media and cultural production have been conducted, among others are Novenanto and Irianto studies [5,6]. These two studies have not yet addressed the dynamics of the creative process of television production. The displayed shows are in essence the imagination of accommodation of various interests

Objectives

Results

Conclusion