Abstract

This article discusses the issue of literary perception of historical reality and the creation of a mature work as one of the constant problems of literature, it is about paying special attention to comparative-typological analysis of the unity of form and content, composition and plot, system of characters, historical truth and to the fiction in the study of historical works in today's globalization.The article provides an analysis of advanced examples of American literature, information on folk art thinking and cultural development. The poetics of the work of art, in particular, the approach of how the composition of historical works is solved, the typology of characters, the scientific study of the problem of the genre together form the basis of the article.

Highlights

  • It is known that the formation of historical works in European literature is regarded as starting from the fifth-third centuries BC

  • In historical works, especially in the notions of "historical story", "historical narrative", "historical novel", a clear historical process, a historical event is described through the lifestories of certain historical figures.It reflects the biographical information of specific historical figures and the sequence of events in the life of a particular society

  • The creation of historical works began from such a complex point, in terms of the synthesis of genres, the evolution of genres, each of them puts forward a clear goal and an artistic-aesthetic concept.Another researcher notes that "the principle of showing the time of events in a historical novel, as well as the methods used by the novelist to describe historical events in the literary work" distinguishes the historical work from others

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Summary

Introduction

The history of historical novels in the United States does not begin from as old times as in Uzbek literature. But not about the influence of the local population - the Indians - on the formation of American literature, especially the genre of the historical novel.

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