Abstract

Many historians have maintained that the true pioneers of the Modern Movement were the engineers of the Crystal Palaces and railway stations. Architects are supposed to have adopted a reactionary position by adhering to masonry structures and persisting with the strict imitation of historical motifs. Recent research in nineteenth-century architectural theory, however, suggests a rather different interpretation. Many architects and architectural writers in the mid-Victorian period were deeply involved with the question of new materials; and they proposed quite a variety of solutions to the ‘iron problem'.

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