Abstract
This article examines the intersection of identity and spatiality in the works of Brazilian visual artist Anna Maria Maiolino. It situates her within a broader discussion of artistic cartographies in Latin America and beyond, and charts Maiolino’s recurrent engagement with the map as a symbol and mapping as a process. Analysing the artist’s explorations of spatiality in political, psychological, and corporeal terms, this article proposes that Maiolino’s work articulates an experience of nomadic subjectivity and a destabilisation of ideas of national and continental belonging.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
