Abstract
Summary The rapid development of consumer culture in China is chronicled and caricatured in particularly revealing ways in the movie Ermo. It concerns the story of a rural Chinese woman, Ermo, who undergoes a metamorphosis in seeking to make enough money to buy a television set. Since popular culture texts, such as movies, often serve to mirror a culture back to itself, we conducted a discourse analysis of this film. We found that cultural intertextuality, that is the hybridizing construction of global and local meanings, was central. This intertextu-ality had two emergent themes: (1) longstanding versus postmodern narratives and (2) a Sinicization or Chinese indigenization of meanings. Managerial and research implications are drawn which direct marketing efforts toward the needs of Chinese consumers embodied in their indi-genized and particular local expression of new postmodern lifestyles.
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