Abstract
As the epitome of Chinese classical aesthetics, Wang Chuanshan's "present quantity theory" brings aesthetic experience based on the whole of time and space to the field of poetics in the form of materialistic reflection theory. As far as Chinese traditional art is concerned, poetry and calligraphy have the aesthetic characteristics of literariness and integration of time and space; As far as the current calligraphists are concerned, due to the transformation of their living conditions, they have lost the natural time and space of their writing experience, and thus have been separated from the innate character of calligraphy. The article expects to make a new interpretation and inspiration for the aesthetic psychology of contemporary calligraphy in time and space with Partyaksa, so as to restore the independence and freedom of contemporary calligraphy art.
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