Abstract
This essay reconsiders some critically established ‘germs’ for Henry James’s “The Death of the Lion” (1894), traced back to the 1893 demise of Guy de Maupassant and to the latter’s only visit to England in the summer of 1886. On that occasion, Maupassant was ‘chaperoned’ by his American friend Blanche Roosevelt, a well-known literary journalist in the London and Paris circles. The unexplored connection with Roosevelt invites a new reading which gives prominence to the American woman character in the tale (Fanny Hurter) and unveils an international subtheme within it. In light of such a reading, as well as of authoritative studies which have analyzed “The Death of the Lion” against the rise of modern literary journalism, I will also re-examine the role of the first-person narrator, an unnamed ‘repented’ literary journalist, in thwarting the possible relation between Neil Paraday and his American admirer.
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