Abstract
This article discusses the role of meaning in the institutionalization of performance art between 1970 and 2000. Ethnographic field data and historical documents evidence the changing dynamics of the field. The definition held by members of a particular field determines, in part, the manifestation of that field. The meaning of performance art is described from the viewpoint of the participants. The process of institutionalization is shown as a paradox for American avant-garde art. Artists and venue providers seek to address these contradictions by democratizing the art form through embracing egalitarian curatorial practices and culturally diverse venues and nonart audiences. Thus institutionalization is a process of negotiation shaped by meaning as well as social structure.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
