The Inquisition and prohibited sexual artwork in late colonial Mexico

Abstract

The manufacturing or distribution of pornographic materials was among the many crimes pursued by the Holy Office. Twenty-one denunciations of illicit sexual artwork from 1750 to 1820 are housed in Mexico's Archivo General de la Nación. The items range from illustrations and prints of men and women in sexualized poses to elaborate and ingenious etchings and paintings on watches and jewelry boxes. The protagonists in this article include denouncers, witnesses, and suspects, inquisitors, qualifiers, and other church agents, and producers, sellers, and consumers of prohibited artwork. These cases provide valuable information on the sexual culture of Mexico City's urban leisure class. Those accused of selling and purchasing illegal art did not view themselves as libertines or free thinkers who advocated sexual experimentation. Nor did they advocate anti-Christian or anti-establishment sentiments. Inquisitors did not demonstrate the same fears and anxieties about erotic drawings and artwork that they did with prohibited books, nor did they conflate eroticism and licentiousness with heresy and treason. The consumers of prohibited sexual artwork in late colonial Mexico City seem to have mostly reveled in the excitement of seeing and owning prohibited materials and sharing a good laugh with friends. Neither they nor inquisitors took these items too seriously.