Abstract

At the end of the nineteenth century, there was a spate of church cases in China, and missionary activity was again challenged since the dissolution of the prohibition. In this context, the styles of new, rebuilt, and restored churches began to change. Some church designers began to consider the choice of architectural style for their churches, and the call for the indigenization of Christianity grew louder and louder. Therefore, this paper takes case studies of two churches built by the missionary Alphonse Favier, the Xishiku Church in Beijing and the Wanghailou Catholic Church in Tianjin. The two churches are analyzed from the perspectives of layout and space, structure and decoration, and the Chinese and Western elements of the churches are classified. Various factors that contributed to the changes in the style of the two churches, such as the architect's background and social factors, are discussed to analyze the reasons for the change. The church cases' short-term and long-term influence on the choice of Chinese church style in the context of the indigenization of Christianity is analyzed concerning other indigenization concepts in society. The combination of these influences and the participation of church designers from different backgrounds has led to the development of Chinese churches through several different stages of development, from predominantly Chinese styles to a combination of Chinese and Western styles, to completely Western styles, and then to a combination of Chinese and Western styles.

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