Abstract
As a multidisciplinary art form, films, particularly those centered on women, from a sociological standpoint, must boldly address the societal issues of gender discrimination. They should amplify the voices of women and advocate for their independence and enlightenment. My Sister, directed by Yin Ruoxin, presents a well-defined portrayal of an autonomous woman. The film endeavors to foster social evolution and transformation by depicting women in realistic, profound, and motivational roles. Through the narrative, visual rhetoric is adeptly utilized to convey enhanced emotional depth and awareness of female identity. It is important to recognize, however, that the aspirations voiced in such films represent more a tactical maneuver than an actual empowerment construct.
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