Abstract
ABSTRACT Held every two years and alternating venues between Yagoua (Cameroon) and Bongor (Chad), the Tokna Massana border festival celebrates the identity and culture of the partitioned Masa peoples. This article explores how border festivals like Tokna Massana can complement and innovate the study of borders and borderlands. Building on participant observation, semi-structured interviews and archival research, we analyze how exacting cross-border festival planning and preparation in the Masa homeland and the diaspora make each new edition possible. We argue that border festivals are worth our attention because their repertoires illuminate underrepresented knowledge production and transmission choices. Moreover, the expectation of festive commemorations underlines processual and performative modes of engagement and management of identity and historical memory. They draw our attention to unexpected use, counter use, and repurposing of border spaces and infrastructures. Finally, the study of border festivals can reveal unacknowledged histories of practical governance.
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