Abstract

Over the past two decades scholars have become aware of the great importance of the so-called Cairo Geniza documents as a primary source for medieval Mediterranean socioeconomic history. This awareness is due principally to the indefatigable work of S. D. Goitein. The Geniza documents also provide an important source for one aspect of the art history of the period. The some 750 trousseau lists from the Cairo Geniza, in combination with ancillary Geniza records, offer a wealth of information—hitherto unexploited—on the attire of Jewish women in medieval Egypt, and by extension, the attire of Muslim women as well. The trousseau lists dating mainly from the Fatimid and Ayyubid periods (969–1250)—and to a lesser extent from the Mamluk (1250–1517)—contain the complete wardrobe of a medieval Egyptian bride.

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