Abstract
ABSTRACT This paper analyses the impact of Hollywood crime-thrillers and that of Māori cultural conventions in Māori-themed New Zealand films. The influence of the former is detected in the figure of the gang member, whilst that of the latter in Taiaiake Alfred’s New Warrior, who uses social skills and mental rather than physical strength to fight for the wellbeing of the community. By analysing the portrayals of such characters, we detect how they negotiate the conventions of art films, or ethnically involved ‘Fourth Cinema,’ and those of popular entertainment. We come to the conclusion that although certain gang-related images in these productions are gory, romanticized or Hollywoodized, the representation of contemporary Māori warriors still displays, to a greater or lesser degree, social issues related to modern leadership and the wellbeing of Māori tribes.
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