Abstract
This article deals with the concept of modernity upon which one of the most interesting contemporary theories about modern social change is based—Peter Wagner's theory of successive modernities. Wagner understands modernity as a double imaginary signification which entails a basic tension between liberty and discipline. This conception is almost directly taken from Cornelius Castoriadis. I argue that this tension exists in two versions in Castoriadis' philosophy and that the two versions are incompatible. It is further claimed that the two versions reappear in Wagner's theory, which makes his theory of successive modernities partly inconsistent. A stance is taken for one of these versions and it is argued that the theory of successive modernities should appropriate that version as its point of departure in order to grasp the history of modernity in a consistent way.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
