The image of ‘ideal’ Turkish womanhood? a Bakhtinian approach to Halide Edib Adıvar’s Raik’in Annesi (Raik’s Mother) (1909)

Abstract

Critics often read Halide Edib Adıvar’s Raik’in Annesi (Raik’s Mother, 1909) as an affirmation of the author’s vision of ‘ideal’ womanhood, one which is aligned with the visions of reformers involved in the projects of Turkish nationalism and modernisation. This article presents an analysis of the novel that both incorporates and goes beyond such accounts. Instead of focusing on depictions of the heroine (Refika) as signs of female objectification or as reflections of Adıvar’s views on the woman question, the analysis focuses on the dialogic properties of the text in order to attend to the ways in which the heroine is presented as the locus of an ongoing conflict between her own aspirations for independence and the various opinions and judgements about her that are set within the discursive boundaries of ‘ideal’ womanhood. The analysis draws on Bakhtin’s theory of dialogism (and concepts related to it, in particular ‘authoritative and internally persuasive discourse’ and the notion of internal dialogue) and examines the tension between the hegemonic discourse that asserts the role of ‘ideal’ wife-mother and the dissenting voices in the text that provide insight into the heroine’s experiences and struggles for autonomy. In doing so, we can develop a sense of the polyvocal, dialogic and inconsistent depiction of the heroine while drawing out the texts’ critiques of the conventions of womanhood and marriage and their effects on women. By analysing such contradictory depictions of Refika, the article aims to draw attention to the way in which the text problematises the image of ‘ideal’ womanhood, whilst offering reflection on the novel’s concluding commentary on the woman struggle for agency and freedom.