Abstract
To explore the relationship between art and society in the history and culture of Beijing embroidery, and the embodiment of the social hierarchy system of the Qing Dynasty in Beijing embroidery. In this paper, from the historical origin of palace embroidery as the breakthrough point, combined with the theory of art initiative from the craftsman and the service object to explain the Beijing embroidery ontology, explore the social attributes of Beijing embroidery. Based on the field investigation method of art anthropology, this paper analyzes the separation of the specific objects of Beijing embroidery needlework, which is manifested in the luxurious embroidery materials, the pattern theme of the program composition, the color setting principle of five colors, and the needlework technique of north-south integration, so as to provide a new perspective and theoretical framework for Beijing embroidery needlework.
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