Abstract
Abstract Based on primary sources such as field notes, reports, and project memorandums, this article addresses architectural restoration work in Turkey from the 1920s to the 1960s. Despite the country’s limited budget and workforce, especially in the early years of the republic, the government crafted an intense preservation program of historic monuments, whereby preservation professionals implemented the scientific protection of architectural heritage mainly through maintenance and repairs. This article argues that the historiography of Turkish art became an agent in restoration, while the concept of the essence of national architecture served as the ideological basis for physical interventions. Seeking to restore the pure forms of Turkish architecture, preservationists searched for the pedigree of built works, and Sinan’s style was treated as the zenith of Turkish architecture. Works by him, along with other examples associated with the “Classical Period of Architecture” were subjected to heavy-handed interventions aimed at achieving stylistic purity.
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