Abstract

This paper explores a range of definitions of guilt, and argues that fiction for young adults which is set after a major disaster that has been caused by humans has surprisingly little emphasis on guilt. Focusing on Brother in the Land by Robert Swindells, Nuclear War Diary by James E. Sanford (Jr), The Last Children by Gudrun Pausewang, The Carbon Diaries 2015 by Saci Lloyd and its sequel, The Carbon Diaries 2017 , and Days Like This by Alison Stewart, the paper argues that in post-nuclear texts for young adults the emphasis tends to be on the perceived responsibility of the young adult reader’s generation to work towards preventing the disaster from becoming reality, rather than on the guilt of the adult generation that caused the disaster. However, in texts dealing with environmental disaster, the young adult reader’s generation can be seen to have some measure of culpability, and so the issues of guilt and responsibility become more complex. Keywords: nuclear; environment; carbon; climate change; fiction; responsibility (Published: 15 May 2012) Citation: Barnboken tidskrift for barnlitteraturforskning/Journal of Children’s Literature Research, Vol. 35 , 2012 http://dx.doi.org/10.3402/clr.v35i0.15316

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