Abstract
This paper deals with the concept of Al-Waṭan, or ‘the homeland’, in Arabic in The Shell (Al-Qawqʿa) by Muṣṭafā Khalifa and Men in the Sun (Rijāl fīsh-Shams) by Ghassān Kanafānī. Analysis of how alienation from this concept has affected both Khalifa's and Kanafānī's characters is carried out through the lenses of Deleuze and Guattari's theories of rhizomatic associations and minor literature, as well as through the lens of affect theory. The paper also examines parallels between definitions of Al-Waṭan/the homeland in Ibn Manẓūr's classical dictionary Lisān al-ʿArab and Deleuze and Guattari's concepts of the war machine and the apparatus of capture.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
