Abstract

The vampire figure is used within gothic literature tradition as a metaphorical representation of the unknown, encapsulating the fears of the given society from which the piece of literature derives. This essay investigates the connections between the evolution of the vampire, more specifically in Le Fanu’s novella Carmilla and Bram Stoker’s Dracula, both of which depict the violent hunt of the homosexual, vampiric figure within society. This piece exposes the gothic depictions of homophobic societies and reveals the ways in which homophobic violence still remains a prevalent issue within the contemporary world.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.