The Great War and Senegalese memory: the veterans’ legacy

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ABSTRACTThe era of the Senegalese veteran was bookended by two public events: the elaborate celebrations in Paris and Dakar on July14, 1919 commemorating the soldiers’ contribution to Allied victory, and the death of Abdoylaye Ndiaye, the last surviving soldier, on 10 November 1998. During these eight decades, the French colonial state, its nationalist opponents, and its Senegalese neo-colonial successor sought through a variety of means – including carefully manicured battlefield cemeteries, larger than life statues of heroic soldiers, manifestos calling for civic equality in the colonies in exchange for the performance of military duty, and annual public parades on Armistice and later Senegalese Independence Day – to appropriate, transmit and transmute the image of the veteran across multiplegenerations for their own ends. On a personal level, the Senegalese combatants’ postwar experience was highlighted by three moments: their joyous return home and reunion with their loved ones; their gradual reintegration into Senegalese society – forever separated from others by the lingering trauma of their war-time experiences and the gulf everlastingly differentiating combatants from civilians; and the ongoing insult of receiving an unequal combatants’ pension in old age, which made a mockery of their personal sacrifices. Drawing on the oral histories of more than 80 Senegalese veterans, 60 of their descendants, and extensive archival collections, this piece explores the tensions during their lifetimes between the public representations of the soldiers and the reality of their private lives. Itconcludes that even though the veterans have physically passed from the scene, they have entered into collective mythology, and the memory of their war-time service, as well as its appropriation by others for their own ends, continues to endure.

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Every major American conflict includes studies examining the experience of the common soldier. Within those many experiences, notions of manhood often provided the impetus for a soldier to enlist, fight, and continue to endure the brutal realities of combat and war. Additionally, the primary documents left behind from the soldiers themselves in the form of letters, diaries, memoirs, and regimental histories offer historians and the general public glimpses into both the wartime experiences and the important but often nebulous centrality of manhood within those individual experiences. Using the incredible document-rich source-base of World War One soldier Corporal Francis Webster, housed in the Gold Star Museum in Johnston, Iowa, this thesis seeks to distill the dynamics of a soldier’s understanding of his own manhood and masculinity from the larger collective experiences of men in war. Since the Francis Webster papers are so extensive, and the man himself a candid documenter and highly introspective, Webster’s struggle to define his masculinity and manhood are fully apparent and seemingly resolved during his wartime service. More importantly, however, Webster also clearly recorded his manly struggles in the years before he put on the uniform. The results of such documentation allow this thesis to narratively explore Webster the man first, and the soldier second. Ultimately, the Webster story provides readers a stronger sense of how manhood and masculinity related to a soldier’s motivations during war, while also shedding light on the ubiquitous “testing”of mahood that war offered those soldiers who fought.

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  • John P Zomchick

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