Abstract

Creating their major productions in the prosperous ‘glorious decades’ that followed the devastation of the Second World War, Joan Littlewood, Giorgio Strehler and Roger Planchon represent a first expressly ‘European’ generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatised continent. For Littlewood, Strehler and Planchon, theatre has the capacity to create communities. This volume shows how these three directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht – and thereby prepare the ground for contemporary, politically-engaged ‘directors’ theatre’.

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