Abstract

Although the coats of arms in the great east window of Gloucester Cathedral are often associated with Edward III’s 1346–47 military campaign in France, the window’s function as a commemorative monument has never been thoroughly studied. The aim of this paper is to provide a political and social contextualisation to the heraldry of the east window, while considering its symbolic meaning (and possible intention) in the framework of the window’s iconography and spatial setting. In regarding the heraldry as thematically connected to the window’s overall theme, and by examining the window in correlation to contemporary discourse on England’s military victories, this paper demonstrates how the window’s composition evokes the exalted social position of Edward III’s military companions after the victories in the first phase of the Hundred Years War. Additionally, this paper argues that the window coincides with Edward III’s kingly ideals by celebrating his rule and lineage as divinely blessed, while affirming his right to the French throne.

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