Abstract
This paper examines the conflict in early nineteenth century Ireland that emerged between the way castles were portrayed in academia on the one hand and romantic literature on the other. Focusing on a key text of the Celtic Revival, Sydney Owenson’s The Wild Irish Girl, the paper explores how this novel (with its strong gothic influences) established a lens through which Gaelic Ireland could be understood and how this in turn affected the representation of castles. The second part of the paper ties these themes into an analysis of the relationship between architecture, literature and identity in the occupation of Leap Castle, Co. Offaly during the changing political climate of nineteenth and early twentieth century Ireland.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
