Abstract
Introduction: Ballyhoo Chapter One: Theory, Practice and Gothic Carnival Chapter Two: 'The Delight of its Horror' - Poe's Carnivals and the Nineteenth-Century American Gothic Chapter Three: Weird Tales and Pulp Subjunctivity Chapter Four: Ray Bradbury and the October Aura Chapter Five: Hosted Horrors of the 1950s and 1960s Chapter Six: Stephen King, Affect and the Real Limits of Gothic Practice Chapter Seven: Every Day is Halloween - Goth and the Gothic Conclusion: Waiting for the Great Pumpkin
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