'The glory of having a national music': A Translation of and Critical Commentary on the First Two Sections of Jose Subira's 'La tonadilla escenica: Sus obras y sus autores' (1933)

Abstract

In 1930 the Spanish scholar Jose Subira published his monumental La tonadilla escenica , a 1,500-page, three-volume study of a comic music-theatrical genre popular on the public stages of Enlightenment Madrid. Recognizing the value of a shorter version for the general reader, he followed it in 1933 with a pocket-sized digest entitled La tonadilla escenica, sus obras y sus autores . This article presents a translation of the Prologue and first chapter of the latter work, still a concise, useful introduction to a genre little studied in Anglophone musicology. In an Introduction and extensive critical commentary, Subira’s scholarship is interrogated, analysed, and situated in its complex cultural context, the fraught years leading up to the Spanish Civil War.