Abstract
El artículo analiza la literatura coreana-americana, señalando que ni el modelo postcolonial ni el modelo multicultural son suficientes para entender las sombras fantasmagóricas que aparecen en sus textos. En particular, el artículo examina la figura del huérfano y muestra que la perspectiva de la diáspora permite un análisis que no atiende exclusivamente al pasado ni al presente sino a la complicada relación de ambos.
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