Abstract

As archival scholarship on National Socialism moved under way during the later 1960s, study of the Right's broader intellectual history relied on a small number of then canonical works—by Klemens von Klemperer (1957), Otto E. Schüddekopf (1960), Fritz Stern (1961), Hans-Joachim Schwierskott (1962), and Kurt Sontheimer (1962), shadowed by Armin Mohler's Die konservative Revolution in Deutschland 1918–1932. Grundriβ ihrer Weltanschauungen (1950)—soon to be joined by George Mosse (1964), Herman Lebovics (1969), and Walter Struve (1973). At this stage, with the exception of Fritz K. Ringer's The Decline of the German Mandarins (1967) and Reinhard Bollmus's study of Alfred Rosenberg's office and its opponents (1970), there was virtually nothing taking a broader social or institutional approach to the contexts of Nazi ideology and the sociology of knowledge under the Third Reich. Gerhard Kratzsch's Kunstwart und Dürerbund. Ein Beitrag zur Geschichte der Gebildeten im Zeitalter des Imperialismus (1969) stood very much alone as a nuanced, archivally researched case study alive to the complex ambivalences of cultural nationalism in the Wilhelmine years.

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