The geographies of Swinging London

Abstract

The processes of modernisation that re-capitalised London in the post-war period can be located in both dominant and resistant movements. Many aspects of the city's discursive fabric in the 1950s and 1960s were underpinned by a similar geographical imagination. This geographical imagination was characterised by a desire to visualise and represent nature and the real afresh and can be found in modernist architecture and planning aesthetics, Pop Art, Op Art, Angry realist writing, the style of Swinging London, and the tactics of counter-cultural rebellion in the city. Acknowledged geographies of modernity and anti-modernity are therefore questionable. Similarly, the geographies of power and resistance are constituted by more than spatial tactics and moral or behavioural boundaries as they are often rendered. An approach that understands hegemonic processes in terms of geographical imaginations allows an analysis that moves beyond outward manifestations of resistance and enables an engagement with the less palpable aspects of dissent such as ideology and aesthetics.