Abstract
A collaboration between poetry and nationalism, exemplified by the tutelary border guard or “genius of the shore,” accounts for the interest of many Renaissance poems; redrawing the map, poets express the myths and grievances that hold their nations together. In “Lycidas,” Milton tries to redeem the fatal voyage of Edward King, his Anglo-Irish friend, by renewing the ideal of a missionary spirit, joining poet, saint, and soldier in a protectorate to bridge Ireland and England. InThe Lusiads, Camões personifies the Cape of Storms as the titan Adamastor (“Unconquerable”), who curses the audacity of da Gama's voyagers and predicts their future calamities; hence the figure represents both the glory and the self-pity of Portugal and of its national poet. Though Milton and Camões hope for a bright colonial future, they turn their faces, like Benjamin's Angel of History, toward memories of shipwreck in the past.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
More From: PMLA/Publications of the Modern Language Association of America
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.