Abstract
The processes that enter into the making of a painting between the time of its initial conception and its completion are very complex, but little understood. I shall outline briefly my present approach to the making of a picture. Travel to distant places stimulates me and, particularly since 1967, I consider my camera not only a travel companion but a very useful artistic tool. Recently I took color photographs during a visit to the crypt in which are found the tombs of members of the Saadien dynasty (Fig. 1) in Marrakesh, Morocco. The architecture, the red ochre stucco walls with their inscribed Arabic script, the mosaics and the form of
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